This 1946 novel, originally published under a pseudonym, is about sex in wartime. At the beginning, Deborah and her husband are in bed, saying goodbye to each other before he is posted overseas. They swear eternal loyalty. But Deborah is very soon bored by her life in the country with her young son and gets a job in London. She then acquires a lover, and when he is posted overseas another, and another - This is the fourth novel by Marghanita Laski to be published by Persephone Books. Juliet Gardiner writes in her Preface: 'The fascination of TO BED WITH GRAND MUSIC is its unusual recreation of one aspect of the Home Front in the Second World War. It is an exaggerated, near harlot's tale without doubt, but it has a wry authenticity and provides a refreshing counterpoint to all the usual wartime novels of sterling women making do and mending. The book's appeal lies in its portrayal of someone who signally failed the test of warA", and in its evocation of a fractured and transient society during the exigencies and contingencies of wartime.'

The story both of the real world of the Brontes at Haworth Parsonage, their home on the edge of the lonely Yorkshire moors, and of the imaginary worlds they spun for themselves in their novels and poetry.Wherever possible, their story is told using their own words - the letters they wrote to each other, Emily and Anne's secret diaries, and Charlotte's exchanges with luminaries of literary England - or those closest to them, such as their brother Branwell, their father Patrick Bronte, and their novelist friend Mrs Gaskell. The Brontes sketched and painted their worlds too, in delicate ink washes and watercolours of family and friends, animals and the English moors. These pictures illuminate the text as do the tiny drawings the Bronte children made to illustrate their imaginary worlds. In addition, there are facsimiles of their letters and diaries, paintings by artists of the day, and pictures of household life. This beautifully illustrated book offers a unique and privileged view of the real lives of three women, writers and sisters.

"I don't regret for a single moment having lived for pleasure. I did it to the full, as one should do anything one does. I lived on honeycomb." Oscar Wilde Although it is over 120 years since his infamous trial for indecency, Oscar Wilde has never held greater fascination for us. This packed illustrated biography tells the life of Oscar Wilde through his own words - private letters, poems, plays, stories and legendary witticisms. It includes his relationships with key artists and writers of the time, including John Ruskin, Charles Ricketts, and Lillie Langtry. It is illustrated throughout with paintings, engravings, contemporary photographs, cartoons and caricatures of Wilde and his social circle. With illustrations and paintings by Aubrey Beardsley, Henri de Toulouse-Lautrec, James Whistler and Max Beerbohm, it is a beautiful evocation of the glittering fin de siecle word by its most fascinating wordsmith and aesthete. The book details Wilde's ruin after the trial and its outcome. The profundity of his writing from prison and exile form an epitaph, not only to his own life, but also for the era that carelessly delighted in it.

As ‘Wartime’ did for the 1940s, this book will grasp the broad spectrum of events in the 1930s in the words of contemporary witnesses drawn from metropolitan and provincial letters and diaries, newspapers, periodicals, books and the range of rich material available in the British Library. J.B. Priestley famously described the 'three Englands' he saw in the 1930s: Old England, nineteenth-century England and the new, post-war England. Thirties Britain was, indeed, a land of contrasts, at once a nation rendered hopeless by the Depression, unemployment and international tensions, yet also a place of complacent suburban home-owners with a baby Austin in every garage. Now Juliet Gardiner, acclaimed author of the award-winning Wartime, provides a fresh perspective on that restless, uncertain, ambitious decade, bringing the complex experience of thirties Britain alive through newspapers, magazines, memoirs, letters and diaries. Gardiner captures the essence of a people part-mesmerised by 'modernism' in architecture, art and the proliferation of 'dream palaces', by the cult of fitness and fresh air, the obsession with speed, the growth and regimentation of leisure, the democratisation of the countryside, the celebration of elegance, glamour and sensation. Yet, at the same time, this was a nation imbued with a pervasive awareness of loss – of Britain's influence in the world, of accepted political, social and cultural signposts, and finally of peace itself.

'An accomplished and intensely evocative memoir ... A journey of courage and determination ... Joining the Dots ... will become in time an integral part of our understanding of postwar Britain' Daniel Kynaston, Books of the Year, Observer How has Britain changed - politically, economically, socially and culturally - in the postwar era? Both lyrical and personal, social historian Juliet Gardiner's memoir Joining the Dots is the accessible and empowering living history of a mid-twentieth-century woman who grew into a world so different from the one she was born into. The book is also a wider study of class, sexual choice, motherhood and marriage, feminism, family planning and professional ambition. An essential read for anyone interested in gender equality and modern history.

Juliet Gardiner's critically acclaimed book - the first in a generation to tell the people's story of the Second World War - offers a compelling and comprehensive account of the pervasiveness of war on the Home Front. The book has been commended for its inclusion of many under-described aspects of the Home Front, and alongside familiar stories of food shortages, evacuation and the arrival of the GIs, are stories of Conscientious Objectors, persecuted Italians living in Britain and Lumber Jills working in the New Forest. Drawing on a multitude of sources, many previously unpublished, she tells the story of those six gruelling years in voices from the Orkney Islands to Cornwall, from the Houses of Parliament to the Nottinghamshire mines.

From the author of 'Wartime' comes an outstanding history of the most sustained onslaught ever endured by Britain's civilian population - the Blitz. September 1940 marked the beginning of Nazi Germany's aerial attack on civilian Britain. Lasting eight months, the Blitz was the form of warfare that had been predicted throughout the 1930s, and that the British people had feared since Neville Chamberlain's declaration that Britain was at war. Images of Britain's devastated cities are among the most iconic of the Second World War. Yet compared with other great moments of that war - Dunkirk, the North African campaign, D-Day - the Blitz remains curiously unexamined. Apart from fragmentary accounts and local records, there is little in the way of a comprehensive account of the experience that so many British civilians went through - as well as the social, political and cultural implications of the bombardment. Designed to break the morale of the British population, the nightly bombings certainly did devastate. But, as Juliet Gardiner shows in this hugely important book, they also served to galvanise the nation; from those terrifying eight months, a new determination amongst people and politicians steadily emerged. Revealing, original and beautifully written, 'The Blitz' is a much-needed exploration of one of the most important moments in Second World War history.

In 1985, the well-known monthly magazine, History Today, ran a series of articles by distinguished contributors on different branches of history and the problems involved for historians in studying, researching and writing in these areas of history. A selection of these essays now appears in book form, edited by Juliet Gardiner, the former editor of History Today.